Composite decking is a great low-maintenance option compared to traditional wooden decking. It’s available in a whole host of colours, widths, and effects, but while you can clean wooden decking with a pressure washer, composite decking can be damaged if you get too close with the jet.
CONCORDIA, Mo. (KCTV) - Driving along I-70 in central Missouri, many wouldn’t give a small town like Concordia a second glance. But for one artist, it’s just his latest canvas.
Artist Ray Harvey has spent the last 30 years of his life transforming downtowns into travel destinations b
By Zhang Kun | China Daily | Updated: 2022-05-27 08:13
Painting on the back of antigen kits helps develop a sense of creativity, Zhang Kun reports.
Antigen kits may be meant for rapid COVID-19 testing, but some individuals have turned the me
Since the closing weeks of the 2021 season, Seahawks receiver Tyler Lockett has received his fair share of much-deserved acclaim for his excellence, consistency, and reliability both on and off the field.
Along with being nominated as Seattle's representative for the Walter Payton M
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George W. Bush, a portrait artist who used to work in government, set down his palette of pastel colors last Wednesday and emerged from his sunny studio, threw a navy blazer over a collared shirt and delivered a speech about election integrity that briefly swerved into matters of war.
Fo
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Danh Le volunteers to help fill in a new two-story mural being painted at Sterling Plaza on Friday, May 20, 2022, in Houston. The mural features signifiers from across the spectrum of Asian cultures and traditions and is being
As digital art continues to redefine our perceptions of the real world, creatives of all kinds can still learn a thing or two from the legendary imprint of Paul Cézanne. Revered by some as the “Father of Modern Art,” curator and art historian Rosalind McKever encapsulated Cézanne
The exhibition, on view now at the Art Institute of Chicago, is the largest retrospective dedicated to the artist in more than 25 years.
These were the questions the curators of a new, once-in-a-generation retrospective of the French painter at the Art Institute of Chicago asked themselv
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